(Please respect copyright and ask Gordon Banks for permission to reproduce - gordon.banks@lichfield.anglican.org
IN THE BEGINNING THERE WAS REEVES
*********************************
(Part one of a trilogy)
In
the beginning
The
canvas was blank,
Void
and without form.
On
Sunday the artist came;
He
painted light and dark
And
separated them, one from the other.
On
Monday the artist came;
He
painted blue above,
He
called the blue, sky blue.
On
Tuesday the artist came;
He
painted brown below,
Surrounded
by blues and greens;
From
the brown came up other colours,
Red,
yellow, pink, all manner of things.
On
Wednesday the artist came;
He
painted a brilliant yellow and red ball,
On
the other side a silvery orb,
And
lesser things dotted around.
On
Thursday the artist came;
From
the brown below came yet more colours,
Colours
that seemed to move and dance,
Both
in the blue above the brown,
And
also through the blue below.
On
Friday the artist came;
And
still more colours to come from brown,
Colours
that crept, ran and jumped.
Then
the final part, the ultimate,
The
artist signed the painting,
With
an image of himself.
On
Saturday the artist came;
He
was pleased with his work,
So,
he took the day off,
For
a rest!
The
artist came back the next day,
He
found his work spoilt,
The
brown was stained with crimson,
The
colours seemed at enmity
One
against the other.
Perhaps
the artist should not have taken a rest?
REEVES GOES BANKRUPT
(Part two of a trilogy)
The
artist came;
He
covered the whole painting with blue,
Blotting
out all the other colours,
Except
for a remnant he allowed to remain,
A
sign of hope!
The
artist gradually drew back the blue,
Again,
colours began to appear,
And
to signify unity between the colours
The
artist painted an arc with every colour included.
And
so, for a while the painting was good.
The
artist introduced a unique and favourite colour
And
placed it in a unique and favourite place on the canvas.
But
vandals were abroad and soon blue became red,
Black
crawled over the painting,
Like
an ugly disease,
Even
contaminating the artist's favourite colour.
The
artist tried all ways to keep his colour pure,
But
to no avail,
He
put his signature upon them,
But
now the colours themselves rejected
And
threw of this interference.
It
was time for the 'master plan'.
REEVES INCARNATE
(Final part of a trilogy)
The
artist came, looked and wept,
His
beautiful painting now turned ugly,
Torn
and slashed, bruised and broken.
The
artist came,
He
laid down his paints,
He
laid down his brushes and palate knife,
He
took of his painters’ smock,
And
was found in his painting.
(c) Gordon Banks January 1983
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